How can it already be September 18th?

It seems like I am always asking questions like this: How can the summer be over? How can it be the end of the second week of classes? And, most important for this post, how can it already be just one week before I present at the FEAST conference? Earlier in the summer, I wrote an entry about this presentation; I “promised” that it would be the first in a series of entries in preparation for the conference. I wrote that entry on July 23rd. Now, on September 18th, a week before the conference, I am finally offering the second entry. I have been thinking about my paper (no, really, I have), but prepping for classes–putting together the syllabi, setting up the blogs, etc–took up a lot of my time in August and early September. Oh well, better late than never.

If you recall (and if you don’t, that’s okay, just look here to “remember”), my presentation is about the ethical possibilities in Judith Butler’s Gender Trouble, particularly in her project of trouble (which I describe as making, being in and staying in trouble–hmm…isn’t that the name of this blog?). In my first entry, I wrote about why I think it is important to consider the ethical import of Gender Trouble. In this entry, I want to focus on my conclusion and engage in a ‘lil bit of musing about what my project is–that is, what I want to do with the idea of troublemaking/troublestaying as a virtue.

In the manuscript I submitted last February, here is how I conclude my presentation:

In concluding this presentation on Butler and the ethical value of troublemaking, I want to make my own ethical gesture towards troublemaking as staying in trouble. Thinking about troublemaking as staying in trouble shifts our ethical attention away from developing the practices or rules that should always guide our troublemaking and towards cultivating qualities of character that encourage us to approach a wide range of activities with a troublemaking (that is, critical, thoughtful and questioning) spirit/ethos. One potentially fruitful way to think about this troublemaking spirit is as a feminist virtue, that is, as an ethical way of being, a mode of relating to the world, a quality of character, a disposition, or an attitude that influences our ethical/political understandings and shapes our ethical and political development. Thinking about troublemaking as a virtue encourages us to ask after how we should live as troublemakers and what kind of (moral and political) selves we need to be in order to stay in trouble. And, it enables us to value troublemaking as an important quality of the moral self.

Having run out of time in my presentation, I want to end with two final questions: What would a feminist ethical project that emphasizes the virtue of troublemaking look like and how does this project differ from one that emphasizes the virtue of care? How might troublemaking as a feminist virtue shift our understanding of feminist ethics and feminist virtue ethics?

One big reason that this conclusion is so brief is because my presentation is limited to a certain number of minutes–I have 40 minutes total, but that includes discussion and I am very interested in what people will have to say about my project. But even though my conclusion needs to be brief, I want to develop it a little more in the following ways:

Why virtue? A key part of my argument is that we should look at troublemaking as a virtue. But, why? What does thinking about it as virtue offer us that thinking about it in other ways doesn’t? I like thinking about troublemaking as a virtue because of the emphasis, within virtue ethics and virtue-talk, on quality of character/attitude/ways of being. For me, troublemaking is not easily defined by a practice (or set of practices). It is a approach–a critical/attentive/curious approach–to life (to ideas, to beliefs, and to practices, etc). In this way, we can’t simply say that the ethical value of troublemaking is found in this or that practice. Instead, we can talk about how our way of engaging in a practice (are we aware of the limits of that practice, are we attentive to the effects of that practice on others, are we open to other ways of practicing) enables us to be more or less virtuous. This approach allows for a more expansive definition of what counts as troublemaking (it is not reduced to any practice or practices) and provides for the opportunity to think through how a wide range of practices might be or might not be troublemaking in an ethical/virtuous sense.

My vision of troublemaking as an ethical attitude is partly inspired by Michel Foucault and his discussion of the limit attitude in “What is Enlightenment?.” He describes this attitude, which he also calls the “critical ontology of ourselves” as “an attitude, an ethos, a philosophical life in which the critique of what we are is at one and the same time the historical analysis of the limits imposed on us and an experiment with the possibility of going beyond them” (319).

It is also inspired by Audre Lorde and her linking of the erotic with excellence and eros in “The Erotic as Power.” She writes: “For the erotic is not a question only of what we do; it is a question of how acutely and fully we can feel in the doing” (54). And, “in the way my body stretches to music and opens into response, hearkening to its deepest rhythms, so every level upon which I sense also opens to the erotically satisfying experience, whether it is dancing, building a bookcase, writing a poem, examining an idea” (57). Focusing on character and excellence enables us to think about ethical practices differently; it centers our discussion on self-making and the cultivation of a self who can learn to practice ethical (and politically transformative) troublemaking everyday–in a wide range of practices.

And my vision of troublemaking as an ethical attitude is inspired by Maria Lugones and her discussion of the playful attitude in “Playfulness, ‘World-Traveling’ and Loving Perception.” In describing a game she is playing with a friend–they are throwing stones in the water–she writes: “The playfulness of our activity does not presuppose that there is something like ‘crashing stones’ that is a particular form of play with its own rules. Instead, the attitude that carries us through the activity, a playful attitude, turns the activity into play” (95). So the determination that something is playful is not based on the type of activity it is. Instead it is based on the selves-at-that-moment who do it and the spirit/ethos of their individual and/or collective doing. In this way, suggesting that troublemaking is virtuous is based not on what the activity is (protesting, violent rebellion, talking back in class), but on how it is being done. But, wait. I want to offer another clarification here. The “how” it is being done is not just about intention (what one’s purpose is for engaging in the troublemaking), it is also about attention or, more specifically, attentiveness (how one is aware of the effects of that activity, how one notices and thinks through the implications of their actions in doing the activity, how one takes care of and is responsive to the others engaged in or affected by the activity). [note: this idea of attentiveness is inspired by conversations with Naomi Scheman and Rebecca Moskow].

Now, in thinking about troublemaking as an attitude or approach to one’s actions, I am not suggesting that becoming someone who engages in virtuous making of/being in/staying in trouble is as easy as “changing your attitude” (which is a critique that Kelly Oliver levels at Lugones’ playful attitude in her book, Witnessing: Beyond Recognition). When we link the idea of attitude with character and excellence and virtue, we can see that troublemaking as a virtue is not something that we easily and immediately are able to do. Instead it requires tremendous effort: training, repeated practice (habit) and the striving for a balance between being deficient and excessive in one’s troublemaking practices.

In “Locating Traitorous Identities: Toward a View of Privilege-Cognizant White Character,” Alison Bailey discusses the value of cultivating a virtuous character (in this essay, the virtue she is thinking about is traitorousness or being-a-traitor). Here is a helpful example she gives for understanding how developing this process works (and particularly how it involves more than just doing practices with a certain attitude):

The activity of virtue resembles the workout example. Just as a person does not become fit by doing a series of sit-ups and then declaring, “There, I am fit!” so a person does not become virtuous by doing a series of good deeds and then declaring, “Finally, I am virtuous!” Virtue and fitness arise in the process of continually working out or doing good deeds. We become virtuous when we have the practical wisdom [developed through this habitual practice], to act courageously to the right degree, for the right reasons, and under the right circumstances (38).

I think there is a tremendous amount of value to be found in thinking through how a person or persons could be trained to practice troublemaking in political and ethically responsible ways. Virtue ethics, with its emphasis on character, training, practice, habit, gives us the language and framework for thinking through how to do this.

Uh oh. I have enjoyed writing this entry, but it is over 1550 words long. That is about 1350 words longer than I need for wrapping up my presentation. Maybe I should approach this differently…later. For now, I’m done.

Is Marcia Brady guilty of acting badly* or badly acting or both?

*Thanks to STA for pointing out this witty reversal. Originally I had titled this post, “Is Marcia Brady guilty of hubris or bad acting or both?”

293.mccormick.maureen.lc.101308Do you remember the episode of The Brady Bunch where Marcia is cast, against her will, as Juliet in her school’s production of Romeo and Juliet? She auditions for the role of the nurse but does such a “good” job that the drama teacher wants her to be Juliet. When she tells her family that she just doesn’t think that she is “the Juliet type” they hatch a scheme to convince her that she is worthy of the part. They repeatedly tell her she is pretty and smart and talented. Creepy moment alert: Greg even tells her that she is “a real groovy chick…for a sister, that is.” The plan works, but too well. Marcia becomes full of herself and begins to think that she is better than everyone else. When she argues with her parents about changing Shakespeare’s words, Mike remarks: “First the part’s a little too big for her. Now I think maybe she’s a little bit too big for the part.” Woah….Mr. Brady is deep. After she causes more trouble (yes, this is the word that is used to describe her actions)–like ridiculing her Romeo and talking back to the drama teacher–Carol decides that drastic measures must be taken. Without consulting Marcia (or even having any serious or lengthy conversation with her about why she was causing/being trouble), Carol and the drama teacher kick Marcia out of the play. Bad acting alert: Although it would be very easy to argue that Maureen McCormick’s acting is terrible throughout this episode, the piece de resistance comes at 22 minutes and 24 seconds when Carol reveals to Marcia that her name isn’t in the final program. Wow!

51KKRXXJW2L._SS500_There is much that I could write about this episode (such as: Alice revealing that she went to an all girls school and performed–in drag!–as Julius Caesar). Well, I might just have to write about that later. But, in this post, I want to think about Marcia’s behavior, the Brady family’s scheme to build up her self-esteem and the troubling consequences of that scheme. And, I want to think about of this in relation to virtue ethics, moral education and Mike’s and Carol’s continued efforts to earn “the worst parents in the history of the world” award.

Nice. So, Marcia doesn’t want to be Juliet. Instead, she is happy to be cast as the nurse. Or, is she? According to Mike and Carol, she really wants to be the star, the beautiful and noble Juliet; she just doesn’t have enough self-esteem. She can’t see herself the way others do: as a “real groovy chick.”

Mike: You look beautiful and noble to me.
Carol: The trouble is, you don’t think you are.
Mike: That’s right. It’s your belief in yourself that counts, you know. You are what you think you are.
Marcia: You mean, if I think I’m beautiful and noble than I will be beautiful and noble.
Mike: That’s right. If you believe it, everybody will believe it too!

Ah ha! The trouble is that Marcia has a low opinion of herself (of course it couldn’t be that she actually wanted the role of the nurse–a pivotal and interesting, yet less glamorous role). What she needs, according to Mike and Carol is “the power of positive thinking!” That will get rid of her troubles! But when she starts thinking positively, more–and perhaps more serious–trouble is the result. She begins not only to believe in herself but to believe that she is the best; she is noble with an elevated status that makes her better than everyone else. She demonstrates this through shameful acts of hubris (and yes,  she acts badly…and badly acts).

But, what really has caused this hubris? Here is a series of related questions that trouble me:

  • Is her hubris the result of an excessive display of pride/a deficient display of humility?
  • Or, is it the necessary (and logical) result of the Brady family’s approach to building up her self-esteem?
  • If there are some bad actions (and bad acting too!) in this episode, who is doing them? Is it really Marcia, who is following the advice of her parents to truly believe that she is noble and beautiful?
  • Or is it Mike who encourages her to be beautiful and noble but equates that with being a star and thinking (too) highly of herself and fails to give her any substantial definitions of beauty that are counter to societal standards? (Standards that are often driven by capitalism and our role as consumers. And that discourage girls from ever thinking that they are beautiful enough. After all, if you think you are beautiful, you wouldn’t ever need to buy any products right?)
  • Or Carol who promotes a decidedly superficial vision of “the power of positive thinking” that is not connected to any underlying ethic or understanding of how our positive (and negative) thinking has real just and/or unjust effects on others.

I suppose you know where I am going with this. Yes, Marcia does act badly. And yes, she does badly act. But, it is Mike and Carol who really act badly in this episode. The moral education that they offer to Marcia (and by extension, to us) is just plain bad. Marcia is encouraged to think positively about herself, but she is never given any guidance about how exactly to do that. Mike and Carol want her to build up her character, to make it (and her) more beautiful and noble. They don’t, however, give her any guidance on how to make her character virtuous. That is, they give her no strategies/skills/advice for what kinds of actions she should engage in.  And they fail to support their advice with any underlying moral vision or ethical system that could guide (or temper or foster) that positive thinking.

When Carol Brady praises Marcia’s new found belief in herself (at the beginning of Marcia’s diva period) as “the power of positive thinking,” she is referencing a very watered-down, overly simplified, faithless, pop psychology version of Norman Vincent Peale’s wildly popular self-help book, The Power of Positive Thinking. Carol’s advice seems to fit this equation: Power of Positive Thinking – ethical vision or virtue ethics = Marcia-as-major-diva.

While I was searching for an image of Marcia to use for this post, I came across an entry entitled, “The Hubris of Marcia Brady” on The Brady Bunch Blog. For a different take on Marcia, check it out.

Thank you Mr. Mailman!

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Today I received two really cool books in the mail: Frames of War: When is Life Grievable? by Judith Butler (and here is her giving a lecture based on it) and Unbecoming Subjects: Judith Butler, Moral Philosophy, and Critical Responsibility by Annika Thiem. While I have been wanting to get Butler’s book for a couple of months now, I had not heard of Thiem’s book until the other day when I was looking on amazon for something else. Excellent. Yet another book that explores the ethical (and moral) implications of Butler’s work.

I must admit, I was a little disheartened after reading Thiem’s dis(mis)sing of virtue ethics in the beginning of the introduction (that’s how far I am right now). She writes:

Moral conduct cannot be reduced to what we owe others, to duties and obligations, and also not to VIRTUES, which can have equally restraining effects (1).

Oh well, I am still excited to read it and curious to find out how she links Butler’s ethical, political, and moral vision with critique and responsibility.

Oh, and as an aside: My wonderful neighborhood mailman retired today after 30 years. He really did give me a great parting gift!

Word Count: 196 words

in honor of my 50th post!

Yes, this is my 50th post. 36,301 words, give or take a few. Not that I am counting or anything. In honor of this very “important” occasion I want to do a series of entries on my theory of the ethics of making, being in and staying in trouble. Rather fitting since making/being in/staying in trouble is the theme of this blog, don’t you think? Okay, there is another reason why I am posting these entries now. I am presenting on this subject at the Feminist Ethics and Social Theory (FEAST) conference in September and I need to start polishing my remarks. I thought working through them on the blog might be helpful.

Initially I was planning to post the entire presentation on here–in chunks of course. But, now I am thinking it would be better to pull out some troublesome bits (as in parts that I want to flesh out/clarify)and reflect on them. But in this entry, I think I will just introduce my project. Here is the abstract for the FEAST presentation:

ABSTRACT: In the 1990 preface to Gender Trouble, Judith Butler reflects on trouble and its value, concluding “that trouble is inevitable and the task, how best to make it, what best way to be in it” (Gender Trouble, vii). With this statement, Butler introduces a central theme that continues to shape and motivate much of her work: learning how to make trouble and be in trouble are important tasks of the resisting subject. In this presentation, which comes out of a larger project on troublemaking as a virtue, I argue that Butler’s opening statement about troublemaking in Gender Trouble is not only a critical and provocative intervention into feminist politics as usual, but is an ethical gesture towards the dignity, desirability and necessity of troublemaking. This gesture, which is taken up more explicitly by Butler in Undoing Gender, points to two separate but related ethical projects involving troublemaking. The first project is concerned with making trouble and being in trouble in ways that extend and rework norms so that they make more lives possible and livable. The second project is concerned with exploring what is demanded of us as moral selves as we strive to stay in trouble.  I will conclude my presentation by tentatively linking the second of those projects with my own work on troublemaking as a feminist virtue.

9780415389556I am exploring the ethical possibilities of Butler’s work on troublemaking. It is exciting to see the recent interest, both by Butler and those writing about her, in connecting her work with ethics. For too long, the popular (among academics, that is) understanding of Gender Trouble is that is was not only counter but harmful to ethics/ethical projects. I remember this happening a lot in grad school. Ah, grad school…On the first day of every semester you had to go around the room and give your little spiel about what your academic interests were. Although I tried to mix it up, I usually ended up saying something about the ethical possibilities in the work of Judith Butler. One time, after giving my spiel, the professor sarcastically uttered, “good luck with that.” Oh bother. Anyway, the tide has changed and more scholars are writing and thinking about Butler and ethics. Moya Loyd writes about it. So do Samuel Chambers and Terrell Carver and Gill Jagger. Butler writes about it here, here, here, and with Catherine Mills and Fiona Jenkins here.

But, even as scholars have begun to think about ethics and Butler, their attention has frequently been on Butler’s Giving an Account of Oneself. What about Gender Trouble? Does it have anything to offer to ethics, feminist, queer or otherwise? Or is it part of a different stage in Butler’s thinking? On one hand, I can appreciate the need to turn to other texts. It is true, as Samuel Chambers and Terrell Carver suggest in their introduction to Judith Butler and Political Theory: Troubling Politics, that an overemphasis on Gender Trouble (which is often the only book that some people think Butler wrote) can obscure our understandings of Butler’s contributions to political [and ethical] thought beyond gender and gender performativity (5). However, failing to consider the ethical import of Gender Trouble could be sending the worrisome (well, at least to me) message that troublemaking/troublestaying, which is first and most directly articulated in Gender Trouble, has no ethical value. And often implied in that message is the idea that engaging in the troubling of gender is something that Butler used to promote–that is before she grew up and turned to more serious matters, like ethics and morality.

This idea that Gender Trouble and troublemaking is immature and therefore unethical raises several questions for me: 1. As Butler (and her work) has grown older, has she matured beyond Gender Trouble and troublemaking? Has she replaced her “childishness” and lack of seriousness (playfulness?) with more weighty matters–like being undone, normative violence, grief?; 2. Does one have to be “serious” and mature (that is, not young and immature) in order to engage in ethics? Can we imagine ethical visions that are not predicated on this equation of  maturity + seriousness = responsible/accountable and ethical?; and 3. Is troublemaking too playful, too immature, and therefore not ethical?

In my own work, I offer a very strong “No!” to this last question. Indeed, I am devoting a huge chunk of this blog to the idea that troublemaking, as a practice and an approach to life, has much to offer to feminist and queer ethical visions/projects. And in my presentation at FEAST I argue that Butler plants the seed for her future work on troublemaking as ethical in Gender Trouble. It is my contention that Butler’s recent work on ethics is not so much a turn to ethics (and a turn away from all that playful/immature performativity of her past) but a return to or maybe an extension of the ethical gesture towards troublemaking/troublestaying that she first makes in the 1990 preface to Gender Trouble.

Are troublemakers truth-tellers or bullshit detectors or both?

Whenever I listen to the song “Cavern” off of Phish’s album, A Picture of Nectar, I add the following line which seems so fitting to me that I am incredulous every time I realize that it is my own invention and not in the song (the lyrics in bold caps are mine):

In summing up, the moral seems
A little bit obscure…

Give the director a serpent deflector
a BULLSHIT detector, a ribbon reflector
a cushion convector, a pitcher of nectar
a virile dissector, a hormone collector

frankfurt475So, what does this little anecdote have to do with troublemaking and truth-telling? Not much except for being my way of (not so) cleverly introducing the topic of this entry: Harry G. Frankfurt’s pithy treatise On Bullshit. This book came out in 2005 and I got it for my birthday shortly thereafter. Every year I sit down to read it and then, in the midst of Frankfurt’s philoso-speak, my brain starts to melt, so I move onto something else. Well, today was the day–I finally finished the whole thing–all 67 extremely small pages of it! And, you know what? I liked it.

In addition to the fact that Frankfurt does a philosophical analysis of a *fun* term like bullshit, this book is great for a couple of reasons. First, Frankfurt’s main aim is to give serious critical and intellectual attention to a term (and a phenomenon) that pervades our lives–one might say we are often knee-deep in it–but that we don’t know much about. He writes:

We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means to us. In other words, we have no theory. I propose to begin the development of a theoretical understanding of bullshit…(1-2).

Frankfurt’s description here reminds me of my own thinking about troublemaking. It is a term that gets bandied about all of the time, but we don’t spend enough time on what it exactly means or how it is actually done. Giving serious attention to troublemaking (much like Frankfurt’s serious attention to bullshit) is what I am aiming to do in this blog.

Second, one of Frankfurt’s key arguments in this book involves distinguishing lying from bullshitting. According to him, liars are aware of and pay attention to the truth, they just don’t want to tell it. In contrast, bullshitters, who seem to be far worse than liars who at least demonstrate some engagement with the truth, aren’t concerned with what is true or false. They are indifferent to all of it.

Bullshitting is not about deliberately eschewing truth and embracing falsity; it is about fakery (“For the essence of bullshit is not that it is false but that it is phony,” 47.) And it is about not CARING. Ah ha! A connection to my own thinking about taking care as being a form of staying in trouble (see here or here for more). Consider the following statements by Frankfurt:

For the bullshitter, however, all bets are off: he is neither on the side of the true nor the side of the false. His eye is not on the facts at all, as the eyes of the honest man and of the liar are, except insofar as they may be pertinent to his interest in getting away with what he says. He does not CARE whether the things he says describe reality correctly. He just picks them out, or makes them up, to suit his purpose (57).

So, the bullshitter is more concerned with his own self-interest than the truth…

Someone who lies and someone who tells the truth are playing on opposite sides, so to speak, in the same game. Each responds to the facts as he understands them, although the response of the one is guided by the authority of the truth, while the response of the other defies that authority and refuses to meet its demands. The bullshitter ignores these demands altogether. He does not reject the authority of the truth, as the liar does, and oppose himself to it. He pays no attention to it all. By virtue of this, bullshit is the greater enemy of the truth than lies are (61).

The bullshitter doesn’t play by our rules and is therefore free to not follow them. Is it true? False? Who cares is her answer.

The greater enemy of truth (we will have to leave an exploration of what truth means for another entry) is bullshit not lying because not caring about the truth is far worse than merely distorting it in order to reject it. Frankfurt is arguing for the importance of caring about ideas/things by being attentive to them. Hmmm….that sounds like the goal of troublemaking: to care by giving serious attention and by critically engaging.  So, does that mean that one of the important tasks of the troublemaker/troublestayer and of making trouble/staying in trouble is identifying and challenging bullshit? That’s right–the troublemaker is a BULLSHIT DETECTOR.

Now that doesn’t mean making trouble isn’t also about truth-telling. But, it indicates that troublemakers/troublestayers are more concerned with bullshit than lies. What is truth? What is a lie? How do we determine these and on what basis of “fact” do we authenticate ideas/stories/events? Much more to come on this topic…