Trouble = worry = more insurance?

The other day I saw this Travelers’ commercial about a dog who is troubled (which, in this commercial means worried) over how to properly and effectively protect his bone. He tries various hiding places which don’t seem safe enough. Then he puts it in a safety deposit box at the bank which makes him worry even more (and lose sleep). Finally, we see him peaceful and playful as the camera cuts to the bone in his dish with a Travelers’ umbrella looming over it. A disembodied voice says: “When it comes to things you care about leave nothing to chance. Travelers. Insurance for auto, home, and business.”

Ah…more insurance (on everything and for every living thing) = no more worry and no more trouble!

I like the connection they make between trouble, worry and caring about something. We are troubled (and we remain/stay in trouble) when we care about something deeply. This trouble/worry/care enables us to keep trying to find better ways to care for (in this case, protect) those things that we care most about.

Here is what I don’t like about this commercial: Trouble, represented as worry, is something bad that we don’t want and that we suffer through. In this commercial, the uncertainty of the world and our inevitable exposure to others–and the danger that that exposure leads to–are implicitly linked to financial insecurity and the current economic crisis. The solution is not to learn how to deal with our vulnerability (and the inevitability of uncertainty and lack of control which is part of being human) or to develop skills/strategies for staying in trouble in productive ways. Instead, the solution is to buy more insurance, thereby shoring up the illusion that we can have complete and total control over what happens to us. This enables us to stop worrying (and stop thinking) about those things we care about and start enjoying life (because, of course, thinking and enjoying are diametrically opposed). The message in this commercial is: You want to stop being troubled by your tenuous financial situation? Don’t worry. Stop losing sleep over it. Buy more insurance and then you don’t have to think about it anymore. Or, put more simply: Don’t think. It makes you worry too much. Leave the thinking to someone else, like Travelers Insurance.

But isn’t not thinking (and leaving the thinking up to someone else) part of the reason we are in such a worrisome situation now?

The trouble with Alice

brady1A couple of years ago, STA and I had a great conversation on a long car trip about Carol and Alice. Why were both of these women necessary? What was their relationship like? What exactly did Carol Brady do during the day when Alice was cooking and cleaning and going to the butcher? Was Alice considered a member of the family? When did she ever get a break? Did they really need her with Carol around? Was she ever going to marry Sam?

I remember watching the two different episodes in which Alice feels like she isn’t needed or wanted anymore and decides that she has to leave. In Alice Doesn’t Live Here Anymore from the first season, Alice feels that she has been replaced by new Mom, Carol. And in Goodbye, Alice, Hello from the fourth season, Alice thinks that the kids don’t like her and don’t want her around anymore. Instead of telling the family that she feels unwanted, she makes up some lame excuse about an Aunt in Sacramento/Seattle who is sick (in Alice Doesn’t Live Here Anymore) and an Uncle who has a great business opportunity for her (in Goodbye, Alice, Hello). I remember thinking, wow, aren’t you just a little too sensitive. Nobody said you weren’t needed. And who cares if the kids like you or not?

Now watching them again with a deeper critical awareness of feminism, the difficulties of caregiving and domestic work, and the politics of family and kinship configurations, I see these episodes very differently. Alice is not being too sensitive. She is not overreacting. She does not need to get over herself (I am sure at some point my younger self must have thought that she should do just that). No, Alice’s reaction and response to thinking and feeling that she was no longer needed was justified. It doesn’t demonstrate that she is overly sensitive and too invested in a family that isn’t hers. Instead, it reflects the tenuous and very difficult position she occupies as the paid caregiver who functions unofficially and invisibly as the Bradys’ other mother.

In almost every episode Alice is represented as the loving (often laughable, arguably queer) housekeeper who is more than a maid; she is an honorary family member. She goes on all of their trips–even their honeymoon! Never mind that she goes along to work (watch the kids, fetch the water for the campsite, walk Tiger the dog). But, even as the Brady family seems to think of her as part of the family, this is not really the case. She is just the hired help.

While Carol might consider her a friend and a confidante, she is not above pulling rank with Alice and demanding that she do something (like in Goodbye, Alice, Hello, when she forces Alice to tell her who broke the lamp. The implied message is that Alice better tell Carol or she will be fired). And while Mike may act as if he respects and values her loyal service, he jokingly links her position as servant/maid with slavery and then laments the fact that he can no longer force her to do his bidding because of Abraham Lincoln. What about the kids? Sure they love her and think of her as a friend (and as comic relief), but they also make sure she knows who has the power in the family (like when Cindy’s secret admirer comes over for their “date.” As she walks by Alice in the kitchen, Cindy commands her to bring them some refreshments).

Alice’s position as a part of the family is tenuous because she is being paid to be there. She is not an equal member. She is an employee with 8 bosses. If she makes a mistake or disobeys the rules, she won’t be reprimanded or given a time out, she will be fired. She will lose her livelihood and her benefits and her living quarters (which, true to form, are right off of the kitchen). Alice’s position is also tenuous because she has no real claim on any of the family members. Sure she has taken care of Bobby his whole life, but if she is fired she can’t demand to be allowed to have a relationship with him. She has been a mother to the kids (and a sexless wife/secretary to Mike) but she has no rights or legal claim to that position. Lucky for her that she is white and a legal citizen of the U.S. Otherwise her position as domestic worker would be even more tenuous. For more on this, see here and here.

Alice’s position is difficult because the kind of work she is doing–cooking, cleaning, drying off tears, counseling heartbroken Marcia, building up Jan’s self-esteem, contending with Greg’s often failed performances of (hyper) masculinity—is not really considered work. Taking care of others is invisible work that is done by individuals (mostly women) who are invisible as workers. Folding the sheets and watching the kids? That’s not work, that’s just what women do while men go to the office and design powder puff buildings for BeeBee Gallini.

Feminist theorists have written a lot (and I mean a lot!) about the undervaluing of “women’s” caregiving as work. But, this isn’t just a problem for housewives who aren’t appreciated for all that they do around the house. This is a problem for the invisible nannies, maids, domestic workers, and servants that actually get paid to do the housework (see this article for a discussion of the moral dilemma that nannies create for femnists). Could the fact that Alice not only recognized but felt (on a daily basis) her tenuous and undervalued position as (secondary in status but primary in actual care) caregiver to the Brady kids and Mike been the reason she reacted so strongly and dramatically in both episodes?

There is (yet) another approach to take on this issue of Alice and her trouble (that is, her tenuous position). While Alice is officially only the paid housekeeper, she is effectively (but without recognition) a second mother to the Brady kids. The trouble with being the second mother is that people just don’t have two mothers. That scenario is not part of the happy heterosexual and patriarchal nuclear family with its one father, one mother and multiple kids. So, her role as a primary caregiver who mothers the children must remain unrecognized (in J Butler speak it is unintelligible within dominant discourse).

But, wait, the trouble is even worse than not being recognized. The happy heterosexual family as the ideal (and natural) kinship configuration is predicated on the belief that 1 dad, 1 mom, many kids is the only healthy and proper way in which to raise kids. So, any indication that other configurations could work (or, horror of horrors, might actually be better for the kids) must, at all costs, be concealed. For this reason, Alice’s role as another mother (and a successful one at that) must not only go unrecognized (and unvalued), it must also be undercut. Alice might do the majority of caring for the children, but she cannot be understood (or represented within the show) as a mother. There is only room for one mother in the Brady household and that mother is happy heterosexual, Mrs. Carol Brady. Maybe that is why Alice is so sensitive. She’s not fooling herself, she knows that she isn’t really a mother to the Bradys and that the love she receives as a caregiver will only last as long as her paycheck does. Or, maybe that is why Alice is represented as having such a dramatic (and selfish) overreaction in the episodes. When she thinks that the kids don’t like her anymore, she doesn’t tough it out like a “real” mother would (I mean, how many times have your kids told you that they hate you. I stopped counting a long time ago). Instead, she runs away. See, the show seems to be reminding us, she isn’t a real mother. Real mothers tough it out. Real mothers don’t leave.

I would have liked to see them (the producers and writers of the show, the kids, Mike and Carol) recognize and represent Alice as another mother. What kind of radical kinship configuration could this have allowed for? The Brady Bunch was already breaking ground by focusing on a “blended” family and subtly injecting the storylines with second wave feminism. Why not queer it up a little too?

Are troublemakers truth-tellers or bullshit detectors or both?

Whenever I listen to the song “Cavern” off of Phish’s album, A Picture of Nectar, I add the following line which seems so fitting to me that I am incredulous every time I realize that it is my own invention and not in the song (the lyrics in bold caps are mine):

In summing up, the moral seems
A little bit obscure…

Give the director a serpent deflector
a BULLSHIT detector, a ribbon reflector
a cushion convector, a pitcher of nectar
a virile dissector, a hormone collector

frankfurt475So, what does this little anecdote have to do with troublemaking and truth-telling? Not much except for being my way of (not so) cleverly introducing the topic of this entry: Harry G. Frankfurt’s pithy treatise On Bullshit. This book came out in 2005 and I got it for my birthday shortly thereafter. Every year I sit down to read it and then, in the midst of Frankfurt’s philoso-speak, my brain starts to melt, so I move onto something else. Well, today was the day–I finally finished the whole thing–all 67 extremely small pages of it! And, you know what? I liked it.

In addition to the fact that Frankfurt does a philosophical analysis of a *fun* term like bullshit, this book is great for a couple of reasons. First, Frankfurt’s main aim is to give serious critical and intellectual attention to a term (and a phenomenon) that pervades our lives–one might say we are often knee-deep in it–but that we don’t know much about. He writes:

We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means to us. In other words, we have no theory. I propose to begin the development of a theoretical understanding of bullshit…(1-2).

Frankfurt’s description here reminds me of my own thinking about troublemaking. It is a term that gets bandied about all of the time, but we don’t spend enough time on what it exactly means or how it is actually done. Giving serious attention to troublemaking (much like Frankfurt’s serious attention to bullshit) is what I am aiming to do in this blog.

Second, one of Frankfurt’s key arguments in this book involves distinguishing lying from bullshitting. According to him, liars are aware of and pay attention to the truth, they just don’t want to tell it. In contrast, bullshitters, who seem to be far worse than liars who at least demonstrate some engagement with the truth, aren’t concerned with what is true or false. They are indifferent to all of it.

Bullshitting is not about deliberately eschewing truth and embracing falsity; it is about fakery (“For the essence of bullshit is not that it is false but that it is phony,” 47.) And it is about not CARING. Ah ha! A connection to my own thinking about taking care as being a form of staying in trouble (see here or here for more). Consider the following statements by Frankfurt:

For the bullshitter, however, all bets are off: he is neither on the side of the true nor the side of the false. His eye is not on the facts at all, as the eyes of the honest man and of the liar are, except insofar as they may be pertinent to his interest in getting away with what he says. He does not CARE whether the things he says describe reality correctly. He just picks them out, or makes them up, to suit his purpose (57).

So, the bullshitter is more concerned with his own self-interest than the truth…

Someone who lies and someone who tells the truth are playing on opposite sides, so to speak, in the same game. Each responds to the facts as he understands them, although the response of the one is guided by the authority of the truth, while the response of the other defies that authority and refuses to meet its demands. The bullshitter ignores these demands altogether. He does not reject the authority of the truth, as the liar does, and oppose himself to it. He pays no attention to it all. By virtue of this, bullshit is the greater enemy of the truth than lies are (61).

The bullshitter doesn’t play by our rules and is therefore free to not follow them. Is it true? False? Who cares is her answer.

The greater enemy of truth (we will have to leave an exploration of what truth means for another entry) is bullshit not lying because not caring about the truth is far worse than merely distorting it in order to reject it. Frankfurt is arguing for the importance of caring about ideas/things by being attentive to them. Hmmm….that sounds like the goal of troublemaking: to care by giving serious attention and by critically engaging.  So, does that mean that one of the important tasks of the troublemaker/troublestayer and of making trouble/staying in trouble is identifying and challenging bullshit? That’s right–the troublemaker is a BULLSHIT DETECTOR.

Now that doesn’t mean making trouble isn’t also about truth-telling. But, it indicates that troublemakers/troublestayers are more concerned with bullshit than lies. What is truth? What is a lie? How do we determine these and on what basis of “fact” do we authenticate ideas/stories/events? Much more to come on this topic…

TAKING CARE = STAYING IN TROUBLE?

I happened to be looking up trouble on dictionary.com and found this connection between trouble and care:

CARE DEFINITIONS
3.
To take care, pains, trouble (to do something) implies watchful, conscientious effort to do something exactly right. To take care implies the performance of one particular detail: She took care to close the cover before striking the match. To take pains suggests a sustained carefulness, an effort to see that nothing is overlooked but that every small detail receives attention: to take pains with fine embroidery. To take trouble implies an effort that requires a considerable amount of activity and exertion: to take the trouble to make suitable arrangements.


1. concern, upset, confuse. 4. pester, plague, fret, torment, hector, harass, badger. 12. concern, grief, agitation, care, suffering. 14. See CARE 15. trial, tribulation, affliction, misfortune.

So, taking care = being vigilant/watchful = persistent (critical) attention = making an extra effort = not being complacent = staying in trouble.

I like this connection because it enables us to think about troublemaking as something other than disruptive and destructive; it is a form of care. For me, this connection is key for thinking about the ethical implications and import of making/being in/staying in trouble.

Word Count: 193 words

Horton the caring troublemaking elephant who not only makes trouble but stays in it

So, STA used to be surprised by the crazy connections I would make between philosophers, critical theorists and popular TV and movies or how I could interpret and express my own everyday experiences through the words and theories of Judith Butler. Not anymore. For anyone else reading this blog, I offer this entry as a good example of how my brain works. In this entry, I contrast an ethics of troublemaking (inspired by Judith Butler) with a feminist ethics of care, sprinkle in some Michel Foucault (and his idea of the caring and curious masked philosopher) and apply it to Dr. Seuss and Horton Hears a Who. Crazy? Perhaps. Unique? Always. Without further ado, I bring you Horton as the caring troublemaker…

If you can’t see it, hear it, or feel it, it doesn’t exist. Our way of life is under attack. And whose leading that attack? HORTON! Are we going to let troublemakers like Horton poison the minds of our children? When Horton tells our children about worlds beyond the jungle he makes them question authority which leads to defiance which leads to ANARCHY!

These are the words of the Sour Kangaroo (but only in the movie–they aren’t in the book) as she implores the other animals in the jungle of Nool to help her stop Horton. She condemns him as a troublemaker who is out to destroy their way of life and to poison the minds of their children. But what is it about his actions that causes trouble for her? Why is she so angry and frightened and threatened by him? It is not just that he thinks differently or that he sees and hears things (like tiny worlds on small specks on flowers) that others don’t. It is that he refuses to fall in line and obey the rule of their society (at least according to the Sour Kangaroo): If you can’t see it or hear it or feel it than it doesn’t exist.

Horton is condemned as a troublemaker because he makes a choice to disobey what he finds to be wrong (as inaccurate and not properly reflecting his own observations of people on the speck) and unjust. So, the troublemaking part of his action is not only (or even mostly) that he is open to other ways of thinking about the world–ways that are counter to common sense like little worlds or specks that talk, but that he refuses to deny those ways and defiantly claims their value and humanity—a person’s a person, no matter how small. Fundamental to Horton’s troublemaking is a sense of justice and attentiveness to others who he witnesses being treated unfairly and/or that are in need of care. In this sense, he makes trouble by getting into trouble (thinking about the world differently, seeing worlds on specks) and then by staying in trouble (refusing to ignore or deny those specks).

Consider a scene early in the movie (the chapter is titled, “Making Trouble”) when the Kangaroo confronts and threatens Horton. She commands him to stop treating the speck as if it had a world on it and to tell everyone else that he was making it up. If he doesn’t, she warns, he will be in for an ugly fight (and big, big trouble). So, he better hand over the flower and the speck. His reply:

No! I can’t give it to you. There are people on this speck. Granted, they’re very small people. But a person’s a person, no matter how small.

In this scene, the real trouble for Horton is that he refuses to get himself out of trouble even when doing so puts him in danger of being ostracized or worse by the other animals. He stays in trouble not because he is eager to anger the Kangaroo or because he is bored and wants to make life more interesting (or thrilling) for himself. No, he stays in trouble because the alternative is to ignore the voices of others and to let them perish. To get himself out of trouble Horton would not only have to turn his back on the Whos, but he would have to deny that they ever existed. This denial (that is, the refusal to recognize this other world) would strip the Whos of their humanity/humanness. For, how could they have humanity if they don’t even exist, if they are only figments of Horton’s imagination?

What I find interesting about Horton’s troublemaking in this story is how it is inextricably tied to his passion for justice and his openness to other worlds and ways of being/living. This suggests that troublemaking (as in, making trouble for those in power, for the status quo, for rigid rules) can be motivated by something other than rebellion, destruction, or deliquency. Troublemaking is motivated by a sense of moral responsibility towards/for others, by an ethical need to work for more just societies, and by a desire to care (for and about) the world and all of its inhabitants (especially the smallest).

Yes, I think that in this film Horton is a great example of a caring troublemaker. We can see this care in a couple of different ways. In one sense, he is giving care to the Whos on the speck–he cares about their world and he takes care to ensure that that world remains safe and viable. But, there is another sense of care happening in this story–a type of care that is not just about the attention and the help that Horton gives to the Whos and their speck of a world. This type of care is not about specific actions but about an approach/attitude to the world; this type of care refers to the quality of one’s character as someone who cares and is curious about the different possibilities of life that our worlds offer.

In “The Masked Philsopher,” Michel Foucault describes curiosity and the care it suggests:

[Curiosity] evokes ‘care’; it evokes the care one takes of what exists and what might exist; a sharpened sense of reality, but one that is never immobilized before it; a readiness to find what surrounds us strange and odd; a certain determination to throw off familiar ways of thought and to look at the same things in a different way; a passion for seizing what is happening now and what is disappearing; a lack of respect for the traditional hierarchies of what is important and fundamental.

From the beginning of the story (in the book and both versions–1970 and 2008–of the movie) Horton exhibits the qualities of curiosity-as-care. Here, let me break it down in terms of the 2008 version. First, let me offer a scene from early on in the movie. Horton is trying to explain to the Sour Kangaroo why he is talking to a speck of dust on a flower:

Kangaroo: That’s absurd. There aren’t people that small!
Horton: Well, maybe they aren’t small. Maybe we’re big.
Kangaroo: Horton!
Horton: No, really. Think about it. What if there was someone way out there looking down on our world right now? And to them, we’re the specks.
Kangaroo: Horton! There is nothing on that speck!
Horton: But I heard.
Kangaroo: Did you, really? Ohhoho my. Then how come I don’t hear anything?
Horton: Well…hmmm…
Kangaroo: If you can’t see, hear, or feel something it doesn’t exist. And believing in tiny, imaginary people is just not something we do or tolerate here in the jungle of Nool.

Foucault: it evokes the care one takes of what exists and what might exist; a sharpened sense of reality, but one that is never immobilized before it
Horton:  Horton is interested in and attentive to the world around him and open to imagining new possibilities. His sharpened (and heightened) sense of reality enables him to hear the tiny cry coming from a small speck floating by as he is bathing in the stream. Instead of not hearing (or more common, hearing but refusing to listen), Horton listens and responds to the voice that signals the possibility of another world beyond his, a world that seems unimaginable within his world (with its empirical, physical and “natural” laws). He is not threatened or even incredulous at the possibility of a tiny world on a speck; it does not immobilize him. Instead it sparks his curiosity and his imagination about what lies beyond his own observations.

Foucault: a readiness to find what surrounds us strange and odd
Horton: Horton is ready and willing to be open to how our surroundings, such as flowers, trees, specks of dust, may not be what they appear to be. They may be strange and strangers to us (we don’t really know them or what they are).

Foucault: a certain determination to throw off familiar ways of thought and to look at the same things in a different way
Horton: Once he hears the voice and believes there that there is a small person on the speck, he is committed to never look at flowers and dust (or the world, for that matter) the same way again. He is committed to staying open to the possibility of other worlds (ones that are smaller and bigger than us).

Foucault: a passion for seizing what is happening now and what is disappearing
Horton: [a stretch perhaps?] Horton is unwilling to let the moment pass and the speck of dust and its inhabitants to perish. When he hears the small voice crying for help, he acts immediately.

Foucault: a lack of respect for the traditional hierarchies of what is important and fundamental.
Horton: Horton refuses to honor the jungle of Nool rule (at least as created and enforced by the Sour Kangaroo): If it you can’t see, hear, or feel it then it doesn’t exist. He steadfastly stands behind his (empirically unproven) claim that there are people on the speck of dust.

Now, this kind of care–the care for remaining open and interested/attentive to the world in its different permutations–is not often recognized as such. Maybe that is because care-as-curiosity is hardly ever about being careful. It is exhausting, dangerous and quite frequently gets us into trouble (and demands that we stay in trouble by being resistant to rigid rules and ready for new possibilities). But, what if we imagined the type of troublemaking and troublestaying that Horton is doing as an ethics of care? Then, could we begin to value (and honor and promote) troublemaking?